{"id":103104,"date":"2023-04-20T18:23:23","date_gmt":"2023-04-20T17:23:23","guid":{"rendered":"https:\/\/www.beitalhikma.tn\/?p=103104"},"modified":"2023-05-04T14:36:27","modified_gmt":"2023-05-04T13:36:27","slug":"colloque-international-design-et-sciences-humaines-et-sociales-27-28-avril-2023","status":"publish","type":"post","link":"https:\/\/www.beitalhikma.tn\/fr\/colloque-international-design-et-sciences-humaines-et-sociales-27-28-avril-2023\/","title":{"rendered":"Colloque international : Design et sciences humaines et sociales 27-28 avril 2023"},"content":{"rendered":"\n

Revue de presse<\/p>\n\n\n\n

\u0643\u0627\u0628\u064a\u062a\u0627\u0644\u064a\u0633 04-05-2023<\/a><\/p>\n\n\n\n

\u0627\u0644\u0634\u0639\u0628 \u0639\u062f\u062f 1744 27-04-2023<\/p>\n\n\n

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jomhouria.com 24-04-2023<\/a><\/p>\n\n\n\n

R\u00e9alit\u00e9s 23-04-2023<\/a><\/p>\n\n\n\n

Phototh\u00e8que<\/a><\/p>\n\n\n\n

Le lien vers l’activit\u00e9<\/a><\/p>\n\n\n

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<\/p>\n\n\n

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Programme<\/strong><\/p>\n\n\n

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Argumentaire<\/strong><\/p>\n\n\n\n

Responsables du colloque : Mohamed Kerrou (Membre de l\u2019Acad\u00e9mie \u00ab Beit El Hikma \u00bb, Carthage) & Sayma Bachrouch, Ma\u00eetre-assistante \u00e0 l\u2019ISAM (Institut sup\u00e9rieur des arts multim\u00e9dia, Universit\u00e9 de la Manouba, Tunisie).<\/p>\n\n\n\n

L\u2019objet de ce colloque est d\u2019explorer les multiples relations qui existent entre, d\u2019une part, le design con\u00e7u comme rationalit\u00e9 et m\u00e9thodologie innovantes dans les domaines et les pratiques de la vie (communication, \u00e9cologie, arts, espaces, architectures, paysages, services, publicit\u00e9, mode, photographie, hautes technologies, r\u00e9alit\u00e9s virtuelles\u2026) et, d\u2019autre part, les sciences humaines et sociales recourant aux techniques de l\u2019observation, de la participation et de l\u2019analyse archivistique, syst\u00e9mique, strat\u00e9gique et autres.
En tant qu\u2019acte de cr\u00e9ation visant \u00e0 solutionner des probl\u00e8mes pratiques rencontr\u00e9s par les individus, les communaut\u00e9s et les entreprises dans un contexte historique, social et culturel donn\u00e9, le design entretient des rapports \u00e9troits avec l\u2019ensemble des savoirs et des technologies dans un monde en transformation continuelle.
Les sciences humaines et sociales en mutation y occupent une place de choix comme en t\u00e9moigne le design social ou l\u2019innovation sociale par le design qui place l\u2019humain au c\u0153ur du projet de cr\u00e9ation, en vue de construire les conditions du vivre-ensemble.
De l\u00e0 d\u00e9coule la prise en consid\u00e9ration de l\u2019implication individuelle du public ou des usagers, de leurs besoins et aspirations, de l\u2019intelligence collective, du pouvoir d\u2019agir et de la responsabilit\u00e9 sociale. Il n\u2019y qu\u2019\u00e0 \u00e9voquer, \u00e0 titre d\u2019illustration, la th\u00e9orie de l\u2019acteur-r\u00e9seau mettant en symbiose la trilogie des sciences, des techniques et des soci\u00e9t\u00e9s dans une perspective de d\u00e9veloppement des nouveaux modes de direction et d\u2019action. Ce sont ces modes qui permettent la construction conjointe des acteurs et des processus d\u2019autant plus que l\u2019innovation est le produit d\u2019interactions complexes entre des partenaires multiples dans le cadre de la globalisation des \u00e9changes et des communications.
Le territoire, au sens g\u00e9ographique et politique du terme, est non seulement le lieu d\u2019inscription des interactions avec ce qu\u2019elles charrient comme dysfonctionnements induisant l\u2019entropie et le \u00ab mal \u00eatre \u00bb social, mais \u00e9galement l\u2019endroit o\u00f9 prennent forme les d\u00e9marches cr\u00e9atives, l\u2019empathie et les projets d\u2019innovation structur\u00e9s en fonction de vis\u00e9es esth\u00e9tiques et pratiques.
De la cr\u00e9ativit\u00e9 au \u00ab design thinking \u00bb se met en place tout un processus d\u2019actions humaines d\u00e9notant de capacit\u00e9s infinies d\u2019imaginer, d\u2019inventer et de construire de nouveaux rapports avec l\u2019environnement, la culture et la soci\u00e9t\u00e9 de sorte \u00e0 produire des r\u00e9alisations in\u00e9dites et de s\u2019adapter aux contraintes du milieu et des cadres de la connaissance.
En somme, tout ou presque tout est devenu design dans un monde de plus en plus digitalis\u00e9, bouleversant profond\u00e9ment les mani\u00e8res de penser, de faire et d\u2019\u00eatre, et instaurant un dialogue continu entre l\u2019esprit de cr\u00e9ation et l\u2019environnement. Celui-ci est, de plus en plus, soumis aux logiques de la production, de la consommation et de la mod\u00e9lisation, sans pour autant que ne soient \u00e9vacu\u00e9es la spontan\u00e9it\u00e9 et ses \u00e9lans infinis ainsi que les r\u00e9sistances \u00e0 l\u2019uniformisation.
En symbiose avec les sciences humaines et sociales, le design qui donne \u00e0 voir une id\u00e9e et un projet, contribue \u00e0 une nouvelle conception du monde et \u00e0 un renouvellement des rapports avec l\u2019histoire, la m\u00e9moire, le patrimoine et l\u2019alt\u00e9rit\u00e9, humaine et animale.<\/p>\n\n\n\n

Trois axes de r\u00e9flexion sont propos\u00e9s, \u00e0 titre indicatif et non exclusif, pour ce colloque visant \u00e0 instaurer un dialogue entre le design et les sciences humaines et sociales ayant pour vocation de comprendre et d\u2019analyser, dans une perspective transdisciplinaire, les enjeux techno-\u00e9conomiques, culturels et \u00e9cologiques, ici et ailleurs, en Tunisie et dans le monde :<\/p>\n\n\n\n

1 \u2013 Design et patrimonialisation<\/p>\n\n\n\n

2 \u2013 Design et espaces partag\u00e9s<\/p>\n\n\n\n

3 \u2013 Design et d\u00e9mocratisation culturelle<\/p>\n\n\n\n

Ce colloque international et transdisciplinaire est une premi\u00e8re en Tunisie et au Maghreb. C\u2019est pour cette raison que nous proposons sa tenue \u00e0 l\u2019Acad\u00e9mie des sciences, des Lettres et des arts \u00ab Beit El hikma \u00bb qui est un haut lieu de la recherche scientifique et de l\u2019innovation artistique en Tunisie.<\/p>\n\n\n\n

R\u00e9f\u00e9rences bibliographiques<\/p>\n\n\n\n

AGAMBEN Giorgio, Qu\u2019est-ce que le contemporain ? Paris, Rivages, 2008.
BERQUE Augustin, La m\u00e9sologie, pourquoi et pour quoi faire ?, Paris, Presses Universitaires de Paris, 2014.
BERQUE Augustin, La pens\u00e9e paysag\u00e8re, Paris, \u00c9ditions \u00e9oliennes, 2016.
BORTOLOTTO Claire, Le patrimoine culturel immat\u00e9riel. Enjeux d\u2019une nouvelle cat\u00e9gorie, Paris, \u00c9ditions de la Maison des sciences de l\u2019Homme, 2011.
CALLON Michel & FERRAY Michel, \u00ab Les r\u00e9seaux sociaux \u00e0 l\u2019aune de la th\u00e9orie de l\u2019acteur- r\u00e9seau \u00bb, Sociologies pratiques, n\u00b013, 2006\/2, pp. 37-44.
CHOAY Fran\u00e7oise, Le patrimoine en question, Paris, Seuil, 2009.
COHEN Daniel, Homo numericus. La civilisation qui vient, Paris, Albin Michel, 2022.
CROSS Nigel, Design Thinking: Understanding How Designers Think and Work, Bloosburry Visual Arts, 2019.
DAUTREY Jehanne & QUINZ Emmanuelle, Strange Design. Du Design des objets au Design des comportements, Paris, IT \u00c9ditions, 2014.
DE CERTEAU Michel, Les arts de faire. I \u2013 L\u2019invention du quotidien, 1990 ; Avec Luce Giard & Pierre Mayol, II \u2013 Habiter, cuisiner, Paris, Gallimard, \u00ab Folios essais \u00bb, 1994.
MASURE Anthony, Design et humanit\u00e9s num\u00e9riques, Paris, \u00c9ditions B42, 2017.
MUNARI Bruno, Design et communication visuelle, Paris, Pyramyd, 2014.
PACQUOT Thierry (dir.), \u00c9cologie des territoires : transition et bio-r\u00e9gions, Paris, \u00c9ditions Terre Urbaine, 2021.
VIAL St\u00e9phane, L\u2019\u00eatre et l\u2019\u00e9cran : comment le num\u00e9rique change la perception, Paris, PUF, 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

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